![]()  | 
				 
				 | 
			||
|  
				 | 
			|||
|  
				 | 
			|||
![]()  | 
				
 
				
  | 
				 
				 In Lübeck sind sie zu entdecken: | You can discover them in Lübeck: 
 the movie highlights of the coming year. Between November 2003 and November 2004 a total of 20 Nordic films will be released in German thea-tres, including 7 of last years 14 competition films. Kops, Nói Albinói and Kitchen Stories have been enthusiastically received. New releases are on the way: MFA is showing Mikael Håfströms Oscar-nominated Evil and Morton Tyldums Buddy, Neue Visionen has Baltasar Kormákurs The Sea, and Arsenal releases Per Flys Inheritance, the NDR prize-winner. So just wait for the new crop at the 46th Nordic Film Days Lübeck! The Press at home and abroad on the 45th Nordic Film Days The Lübeck inhabitants welcome the films enthusiastically, and their warm rounds of applause are the greatest gift that a Scandinavian filmma-ker can receive. The 45th Nordic Film Days Lübeck have proven that there is a large and enthusiastic audience for Scandinavian films. Berlingske Tidende, Denmark  The most important film festival of Nordic cinema outside of Scandinavia! Die Tageszeitung, Berlin  At Germanys nor-thernmost film festival, the German-Scandinavian meeting place of the film branch in Lübeck, everything was again at its very best: the films, the guests, the atmosphere. filmecho-filmwoche, Wiesbaden  The 45th Nordic Film Days Lübeck are history  and they made history. Hardly ever before has the qualitative density of the feature films screened there been so high. [ ] The Nordic Film Days Lübeck have long since become the most important stock exchange for Nordic cinema. And a factor of addic-tion for the audience! Hamburger Morgenpost  It was a feel-good festi-val. Full cinemas, an above-average and in its variety demanding offering of films  a festival can hardly be more successful with the audience. Lübecker Nachrichten  The crisis of the cinema was nowhere to be seen. The cinemas were full, and it was possible to chat with the filmmakers in an almost familiar atmosphere. Hamburger Abendblatt  | 
			|||||||